楊陽 (Yang YEUNG)
藝評
Playing along—a letter to Francis Alÿs
楊陽 (Yang YEUNG)
How does freedom sound? – reflections on how artists listen in the pro-democracy movement in Hong Kong
楊陽 (Yang YEUNG)
Care and political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim
楊陽 (Yang YEUNG)
perceiving hope in otodate and no so mi – a review of the installations and a performance by Akio Suzuki and Hiromi Miyakita at The Museum of Contemporary Art Tokyo
楊陽 (Yang YEUNG)
Carla Chan’s Black and White
楊陽 (Yang YEUNG)
Listening as a supporting condition for art – a personal essay re-calling Stavanger from Hong Kong
楊陽 (Yang YEUNG)
Kwok-hin Tang: From an Object-based to a Socially Aspired Art Practice
楊陽 (Yang YEUNG)
perceiving magnificence
楊陽 (Yang YEUNG)
South Ho''s Force Majeure and Ching Chin Wai''s Liquefied Sunshine — A Review
楊陽 (Yang YEUNG)
Notes and Extensions on Artist Talk with Xiao Lu at Chancery Lane Gallery, 14 September 2019
楊陽 (Yang YEUNG)
Samson Young’s Instrumentation – a review
楊陽 (Yang YEUNG)
Su-Mei Tse: Nested – a review
楊陽 (Yang YEUNG)
Emergency Kit & Wishing Pool – a review
楊陽 (Yang YEUNG)
Review on Moving Average: Media Art Exhibition by Kenny Wong
楊陽 (Yang YEUNG)
Our Everyday – Our Borders: a review
楊陽 (Yang YEUNG)
more than just a reversal
楊陽 (Yang YEUNG)
Chan Dick: Chai Wan Fire Station
楊陽 (Yang YEUNG)
A Beast, A God and A Line
楊陽 (Yang YEUNG)
Chris Evans and Pak Sheung-chuen: Two exhibitions – a review
楊陽 (Yang YEUNG)
Samson Young: SONGS FOR DISASTER RELIEF
楊陽 (Yang YEUNG)
Composing Stories with Fragments of Time: Works by Kurt Chan, Annie Wan, Francis Yu, Luke Ching, Angela Su, Lau Chi Chung, Carmen Ng, and Elva Lai
楊陽 (Yang YEUNG)
Samuel Adam Swope: Updraft, updraft
楊陽 (Yang YEUNG)
In and Out of the Streets: Man Mei-to and Enoch Cheng
楊陽 (Yang YEUNG)
weighing sound in space: Wong Chun-hoi and Alex Yiu
楊陽 (Yang YEUNG)
art and what is missing in the socially-engaged
楊陽 (Yang YEUNG)
we may never know, but it is worth trying
楊陽 (Yang YEUNG)
Biennale, the Biennale
楊陽 (Yang YEUNG)
What Unimaginable Forms
楊陽 (Yang YEUNG)
Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
楊陽 (Yang YEUNG)
Back to basics: trying for the ‘international’ as good (1) / 還原基本步：如果「國際化」是一種「善」
楊陽 (Yang YEUNG)
Edwin Lo: Sea Wall
楊陽 (Yang YEUNG)
Alfred Ko’s ‘Pond on the roof’
楊陽 (Yang YEUNG)
Fiona Lee in a sound she tries to understand
楊陽 (Yang YEUNG)
Tsang Tsz Yeung’s 'Family Album'
楊陽 (Yang YEUNG)
Two animations from two graduation shows: Jess Lau Ching Wa’s 'The Fading Piece' and Wayne Wong Wing Chun’s 'Koon Tong Chronicle'
楊陽 (Yang YEUNG)
Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
楊陽 (Yang YEUNG)
Sunday Lai’s 1Mbps
楊陽 (Yang YEUNG)
"how close we have come to being rich"*
楊陽 (Yang YEUNG)
Mak Ying-tung’s ‘Almost Empty’
楊陽 (Yang YEUNG)
in time, a conversation
楊陽 (Yang YEUNG)
The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
楊陽 (Yang YEUNG)
My Response to Asia Art Archive’s "THE AND: An Expanded Questionnaire on The Contemporary"
楊陽 (Yang YEUNG)
Nothing but a few longer looks
楊陽 (Yang YEUNG)
When Much More Than Three Books Meet – Serendipity, Possibility
楊陽 (Yang YEUNG)
To curate is to take care of
楊陽 (Yang YEUNG)
Philippe Ramette
楊陽 (Yang YEUNG)
pulse – a review of Hong Kong Anarchitecture Bananas
楊陽 (Yang YEUNG)
藝術議題
How does freedom sound? – reflections on how artists listen in the pro-democracy movement in Hong Kong
楊陽 (Yang YEUNG)
Care and political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim
楊陽 (Yang YEUNG)
Samson Young: SONGS FOR DISASTER RELIEF
楊陽 (Yang YEUNG)
Biennale, the Biennale
楊陽 (Yang YEUNG)
Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
楊陽 (Yang YEUNG)
Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
楊陽 (Yang YEUNG)
The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
楊陽 (Yang YEUNG)
新/另類藝術空間
Playing along—a letter to Francis Alÿs
楊陽 (Yang YEUNG)
Our Everyday – Our Borders: a review
楊陽 (Yang YEUNG)
Samuel Adam Swope: Updraft, updraft
楊陽 (Yang YEUNG)
In and Out of the Streets: Man Mei-to and Enoch Cheng
楊陽 (Yang YEUNG)